Monday, September 16, 2013

Tutorial 8 Finished

Today's lecture was mostly about light and using reflection to create a better amount of light. Using a reflector, we created warmer light using the gold reflector, and softer light using the silver reflector. The purpose of the reflectors is to give light to areas where there wouldn't normally be enough to take a photograph. Today we used different students in different amount of lights to demonstrate the benefit of reflectors, both in doors and outdoors. They can be very useful when it comes to taking portraits. We also covered clever ways to make people both be more comfortable while being photographed, as well as appear more comfortable and natural.
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The first photograph taken of Addie (above) is taken without any reflected light. This is the natural light and I felt this photograph would be a good contrast of when reflected light is added.
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Missed with the reflector a bit, but you can still see how the light from the reflector creates a better image. Ironically enough, it turns out that there is a reflecting jacket in the photo (completely unintentionally) and that's where you can see the light being reflected. The light makes her sking glow better, and allows for an all-around better photograph. 

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Sorry about this one, Tyler! This picture is completely taken within natural light, it shows how when using the correct lighting through windows, you can make a natural looking shadow on your own. It is not always necessary to use reflectors in low light situations.

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Model of the year winner: Kieran Smith. For this picture we used natural light coming from the window, as well as reflected light coming from the same sign. You clan see the contrast between the two sides of his face, one side is much brighter. We probably should've had the reflector stand on the other side, but I still think this makes for an interesting photograph, catching the pure hatred my friend has for being photographed.

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Another example of reflection being used to warm up a photograph, you can really see it accented on his neck, and the side of his face. It creates a cool sort of glowing effect. Creating radiance.

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I included this one because I feel like there is almost too much reflection! It doesn't look natural, the way the light is creating a shadow within a shadowed area and the entire wall is lightened up behind her. Perhaps a different angle would be appropriate if the intent was to take a more natural picture.

My famous photographer for today is Brian Duffy. Much like Annie Leibovitz, Brian Duffy was responsible for magazine photos, album covers, and photos of celebrities. I thought he would be a good example for today when we were taking portraits of people. 

A self portrait, taken from his wikipedia page.
David Bowie used this photo as an album cover.

Using different levels of light, Duffy was able to capture people the way they wanted to be captured. If you look at the [
picture of Bowie above, his chest looks much lighter than his face which is darker, the make up is accented and shadowed. The entire back ground is white and the picture allows for you to see the wildness that David Bowie always tried to accent. In his self portrait, you could see the shadows within his jacket and on his face. The expression of a man deep in thought, and comfortable with photographs. Using light Duffy became one of the better photographs of his era, even though he once quit photography burning all his negatives. But what is any good career in art without some sort of breakdown. Duffy passed in 2010.

Source: Wikipedia as well as an obituary in the New York Times. 



Monday, September 2, 2013

Tutorial 6 Finished

This weeks lectures and tutorials were on shadows and reflections. We have also begun to start shooting in RAW as opposed to jpeg for better image clarity amongst other reasons. Using light, the mission is too take pictures of shadows of ourselves, as well as shadow's from other objects. While at first this was difficult because the sun was hardly peaking out, it did eventually open up. The same goes for reflections in which we would also have to use both natural and unnatural light to take adequate reflection photos. Having learned about light and how to use it, we modified ISO's they were smaller for shadows and higher for reflections. I think I did a decent job at creatively finding ways to take these pictures, but I could definitely use some practice when it comes to adapting to the available light. 
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Wanted to take a reflection photo of something other than a person! I tried to get some symmetry in it as well!

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Seems a bit eerie, doesn't it?

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Not a particularly good photograph, I do however like the way it looks like he is standing in the other room though he is right next to me.

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This was my attempt at making only the silhouette of the tree available, however I should've focused more on the back ground before taking it.

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Because of the fact that today is Robert Capa's 100th birthday, I decided to use him as my photographer for the week. Capa's best known work came from his photographs in wartime. Though one of his famous pictures (of author John Steinbach) is a reflection photograph, so I figured I'd include it for this blog's sake. Though limited by technology in this regard, his shootings are all in black and white which makes them seem more powerful. The image of the fallen soldier is particularly haunting, rarely do we get a glance at such a drastic image from the World Wars. His most famous image, though unavailable to be posted on this blog because of sourcing, was that of a man being shot standing in a field. To attain the shot he was sitting in a trench, hearing the fire and just stuck his camera over the ledge at the moment the man had gotten shot. Sometimes it's all about timing, or lack their of for the poor soldier who received the bullet.

http://lens.blogs.nytimes.com/2013/10/22/finding-a-fearless-photographers-voice/?_r=0